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Saoirse Ronan and Laurie Metcalf in “Lady Bird”īoth films are also responsible for some of her best reviews yet. Films like “Brooklyn” and “Lady Bird” chronicle young women on the verge of making their own destinies, breaking free, finding themselves, just as Ronan is doing the same in her own life.
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The actress has been working on the big screen since the age of 12, when she was cast in Joe Wright’s “Atonement” (which earned Ronan her first Oscar nod), but she’s managed to navigate the kid-actor years seemingly without a hitch. Ronan describes both “Brooklyn” and “Lady Bird” as “a once-in-a-blue-moon thing” (sometimes, lightning does strike twice). It’s no surprise that both “Brooklyn” and “Lady Bird” stand out in Ronan’s mind. They’d go, ‘Oh, that’s me! I totally did that!'” “If it was the prom or a song that would play or something that Beanie and I did in a scene as two best friends just fucking about, I remember watching so many people on set being really effected by it. “You could kind of see the effect it was having on people when were shooting it, because the crew even would be so touched by particular scene that we’d do,” the actress remembered. “It just felt like you’d met one of those people that you really wanted to spend time with and really wanted to explore a piece of work with.” “A Once in a Blue Moon Thing”īy the time they started shooting in August of 2016 – mostly in Sacramento, naturally enough – it was clear to Ronan that the connection she was feeling to Lady Bird was something special. “We read through the whole thing, and I did Lady Bird’s part and she did everyone else’s parts,” Ronan said. The pair set about reading the script together, by way of makeshift audition that was seems mostly just like a formality at that point. In September of 2015, Ronan and Gerwig met in person at the Toronto International Film Festival, where Ronan was bowing her other big coming-of-age film, “Brooklyn,” which ultimately earned her a second Oscar nod. I felt like we both had the need to tell each other so much already.” The pair Skyped to chat about the project Ronan called it “the giddiest Skype meeting I’ve ever had.
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And now that the movie’s making waves at the specialty box office, coasting into awards season with plenty of momentum, Lady Bird’s appeal will only continue to grow.Īlthough Gerwig has been somewhat cagey on the precise parallels between Lady Bird’s life and her own teenage experience ( at a recent New York Film Festival press conference, the filmmaker said, “Nothing in the movie literally happened in my life, but it has a core of truth that resonates with what I know”), there’s little doubt that it’s a story close to her heart. She’s every surly teen, but she’s also every person who’s ever been a surly teen (you know, most of us). Her Lady Bird is very real, deeply relatable, and always engaging. Tasked with a character as refreshingly winsome – a walking, talking embodiment of millennial ennui – the Oscar-nominated actress never verges into cheap tricks or bad tropes. 'Ozark' at the Emmys: Will the Final Season Deliver Big Wins to the Oft-Nominated Drama?Įmmy Predictions: Outstanding Supporting Actress in a Comedy Seriesġ9 Best Erotic Thrillers, from Adrian Lyne to Brian De Palma She hadn’t necessarily arrived anywhere yet, she was just in between these big moments.”Įlle Fanning Rules 'The Great' and 'Girl from Plainville' - Long May She Reign “I like that we found her at this in-between moment, while she was figuring it all out. “She was this girl who was going to do something, and she was going to be something, but she didn’t know quite what she was going to do and who she was going to be,” Ronan told IndieWire of her first impression of the character.